Periscope Film owners [Doug] and [Nick] just released a mini-documentary about the rescue of a large collection of old 35 and 16 mm celluloid ... in both color and black and white.

the production company responsible for the film. The original movie was shot in 16mm black and white, but, to make it suitable for a theatrical release, it had to be transferred to 35mm ...

After shooting his first feature on 16mm film in black-and-white, Tetsuichiro upgraded to 35m color for Iya, whose physicality throughout the seasons overwhelms with brutally immersive snowstorms and ...