This is an essay about the phenomenon of “aesthetic chills”—you know, the moment when, experiencing a work of art, you feel a rush of physical emotion, a shiver that runs down your spine.
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Part 1 is here. In the first part of this essay, I looked at what the conditions are for “aesthetic chills” in general. But since this is an art publication, the major question is going to be ...
Can an abstract theory of Empfindsamkeit aesthetics have any value to a musician wishing to study composition in the classical style? The eighteenth-century German theorist and pedagogue Heinrich Koch ...